Azzedine Alaia: 1980s and beyond

31/01/2013

Beatrice Dalle & Azzedine Alaia in Paris 1988 photographed by Jean-Paul Goude
“Azzedine Alaia is the greatest couturier who never was.”
Suzie Menkes
In 1981 a group of people gathered at rue Bellechasse to see the first Alaia collection ever shown to the public. There were no invitations or any form of advertising, but the news travelled fast and everyone who loved fashion wanted to see the clothes that soon appeared on pages of fashion magazines.

models after the Alaia show in 1986 photographed by Arthur Elgor
That very same year Alaia invented the “body” that literally changed the way women moved as the stretchy fabric shadowed their curves wrapping around, following the motion and setting them free.  He also reintroduced the “balcony” bra that was inspired by corsetry that highlighted and accentuated the bust.

Naomi Campbell wearing Alaia dress in Elle 1989 photographed by Gilles Bensimon
By the early 1980s Alaia’s designs were appearing in Vogue and Elle, sold in several boutiques including Beverly Hills, Barneys NY, Chicago, Los Angeles and Tokyo, Neiman Marcus in San Francisco, Les Createurs in Geneva and Joseph in London and shown in the Museum of Contemporary Art in Bordeaux and Palladium in New York in 1984.

Azzedine Alaia designs in Vogue Italia 1983, Vogue Italia 1990 (on Helena Christensen), Vogue US 1988 & Vogue US 1992, Alaia by Jean-Paul Goude
In October 1985 the French Ministry of Culture presented Azzedine Alaia with the Designer of the Year and Best Collection of the Year awards, as a sign of appreciation of his unique talent and skills.

Azzedine Alaia studio space at the Marais district
The same year Alaia and his small team move to an old nineteen century warehouse in the heart of the Marais, at 7, rue de Moussy. The vast construction becomes his headquarters, atelier, boutique and show space where Azzedine Alaia spends his time working without distractions, surrounded by a few assistants, friends and his beloved animals. Every garment Alaia produces bears his touch.

Azzedine Alaia design for his Spring/Summer 1992 collection
Unlike many other designers, he does not just create the silhouette (he never sketches or makes notes), but cuts the patterns, does the leather work, the embroidery, the draping and pleating and even repairs and redesigns of his earlier creations.

Alaia mini dress from the Spring/Summer 1990 collection
When he can no longer fight the circadian rhythm, Azzedine falls asleep on his work table, curled up in a piece of fabric or moves to his Spartan bed where he is lovingly greeted by cats and dogs.

Azzedine Alaia by Jean Francois Rault
The house also becomes home for many supermodels who adore and practically worship Azzedine, not only as a designer, but one of the kindest and caring human beings.

supermodels wearing Alaia Autumn/Winter 1991-1992 photographed by Jean-Baptiste Mondino
Whenever they are offered to do a show, Linda, Christy, Naomi, Stephanie, Veronica leave their busy schedules behind and fly to Paris to walk for Alaia without any fee attached to it. “Because it’s Azzedine…” murmured Linda in one of her interviews.

Azzedine Alaia & his models
In 1995 Stephanie Seymour chooses the glass roof studio space for her wedding ceremony instead of Ritz and wears Alaia’s dress that takes 1600 hours to make.

Stephanie Seymour in a custom made wedding dress designed by Azzedine Alaia
A few years later, in 2009, when Alaia is left out of the show hosted by the Metropolitan museum of Art, he calls Naomi, Stephanie and a few other top models invited to the event and asks them not to go. Neither of them shows up at the exhibition opening later that day.

Francine Howell photographed by David Seidner in 1986 for Azzedine Alaia
And then, in the mid 1990s Azzedine Alaia suddenly disappears from the public eye. The world becomes a darker place for him. In 1992 he has to deal with the death of Arletty, his confidante and dearest friend and then – loss of his sister who dies of cancer. He retreats to his studio avoiding people and wondering if he is good enough to continue working in fashion. As a result, everything slows down. Including the money.

And then the good fortune is brought back by the women who adore and believe in him. This time it was Carla Sozziani, the former editor-in-chief of Italian Vogue and editor-at-large of American Vogue, gallerist and founder of 10 Corso Como, who took care of business and introduced Alaia to the Prada group that became an investor. It was a unique agreement – while Prada bought out the brand, Alaia kept the rights to his name allowing him remain independent.

2006 Alaia brought the brand out and sold it to the Swiss luxury group Richemont in 2007 to maintain financial stability. While the group assumed 100 per cent control, Alaia was given a free pass to pursue his dreams and design the way he felt right – not to suit the ever changing fashion world or meet a certain number of annual sales. Following the designer’s request, Richemont also created a foundation to preserve his enormous and incredibly valuable archive containing his own creations along side vintage Vionnet, Balenciaga, Paul Poiret, Schiaparelli, Comme des Garçons, Margiela, Junya Watanabe and some young designers.

Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
In 2008 he is awarded with the prestigious Legion D'Honneur, which he refuses. “I don't like decorations - except on women. I am always in doubt; I am never sure of myself. Even when you tell me I'm an influential designer - I don't see myself like that. So I don't like decorations.” he explains in an interview in 2011.

Azzedine Alaia in his studio via vogue.com & his designs
In 2011 following the incident involving Galliano, Christian Dior approaches Azzedine Alaia with a job offer – he declines while taking an opportunity to support Galliano.

Azzedine Alaia and John Galliano
Just a few days before the award announcement, on 7 July 2011, first time in eight years, Azzedine Alaia presents an impeccable show. It lasts 15 minutes and receives a standing ovation.

Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
Azzedine Alaia Fall/Winter 2007
In 2012 he announces that he will be opening a store in Rue de Marignan, off Avenue Montaigne, in March 2013.

In January 2013 Alaia signs fragrance and cosmetics license with Beauté Prestige International - the luxury perfume company  that “corresponds perfectly to the spirit of the Alaïa house”.

Throughout his entire life Azzedine Alaia remains a mystery, a man full of secrets, and as long as he continues to surprise the world with his creations, we certainly have many treats to look forward to.

Photo source: Beatrice Dalle & Azzedine Alaia in Paris 1988 photographed by Jean-Paul Goude, models after the Alaia show in 1986 photographed by Arthur Elgort; Naomi Campbell wearing Alaia dress in Elle 1989 photographed by Gilles Bensimon; Azzedine Alaia designs in Vogue Italia 1983, Vogue Italia 1990 (on Helena Christensen), Vogue US 1988 & Vogue US 1992, Alaia by Jean-Paul Goude, Azzedine Alaia studio space at the Marais district via Alaïa, Azzedine Alaia design for his Spring/Summer 1992 collection via Alaïa, Alaia mini dress from the Spring/Summer 1990 collection,   Azzedine Alaia by Jean Francois Rault, supermodels wearing Alaia Autumn/Winter 1991-1992 photographed by Jean-Baptiste Mondino, Azzedine Alaia & his models, Stephanie Seymour in a custom made wedding dress designed by Azzedine Alaia, Francine Howell photographed by David Seidner in 1986 for Azzedine Alaia, Azzedine Alaia Fall/Winter 2007 via the fashion spot, Azzedine Alaia in his studio via vogue.com & his designs, Azzedine Alaia and John Galliano via Vanity Fair France, Azzedine Alaia Fall/Winter 2011 via style.com, Azzedine Alaia via vogue.co.uk 

25 comments:

  1. His life is for sure a masterpiece as his work! So stunned but all the 3 posts from you dear, congrats:) Kisses! xo

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  2. There's not much I can say, except thank you for taking the time to share his story and for making me appreciate him more than I already had. xo

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  3. Yet another great post. Well done and thank you :-)

    Red xx

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    1. And thank YOU for stopping by to read them, Red! xxx

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  4. Thank you so much for this interesting story and your efford behind.

    At one photo I must really smile, because today I´m wearing an animal-coat - but not to compare with Azzedine Alaia ;-)

    xxx
    Rena

    http://dressedwithsoul.blogspot.de

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  5. Natalia, he is a GENIUS! Omg'sh I didn't know he didn't take any notes or sketched. That is amazing! And for people to come and there were no invitations or announcements!?! That's when you know you're doing something GREAT! HaHaHa I also like the fact that he turned down Dior to help Galliano. It shows his humanitarian and empathetic side. Excellent post! Enjoyed this!
    http://www.averysweetblog.com/

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    1. Kim, just to avoid confusion (as I cut the story short at that point :) ) - Alaia refused to work for Dior for many reasons - he explained everything in his interview. It was then when he said that he was sorry about Galliano's departure and that his break down was due to too much pressure, high demands... And as a designer, Alaia didn't want to face the same... So he used the attention he received from the press because of that Dior's job offer to share his thoughts and support for John. x

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  6. Grat blog and nice post! I will be here more often, I'm ur new follower!
    Don't forget to visit my blog too!

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    1. Glad you like it here and thank you for stopping by. x

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  7. Alaia was such a force in the absolute most alluring images in fashion and editorial from the 80's and 90's. Thank you so much for posting this!

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  8. This is fabulous post. Thank You for sharing it. I didn't know so many fact about him. I'm glad he is back and that we can enjoy is amazing talent.

    xoxo Ra

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    1. Thank you for stopping by and reading my story! x

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  9. Wow, I had no idea about the ins and outs of his life, its amazing to learn all the things he has gone through to become who is today and fondly remembered for what he used to be in his glory years.

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    1. Happy to be useful! :) Thank you for reading my stories, Sam! x

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  10. Great interesting story of very talented person. His designs are gorgeous, so unique!I love this picture and outfit of Stephanie Seymour!
    www.impromp-two.blogspot.com

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  11. I loved this post, I love Alaia! Cannot wait for the perfume xxx

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  12. wow this type of work is what makes me want me to become a fashion designer.

    Love2LittleRus.
    Brian( porsatv.blogspot.com )

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  13. Really, really interesting post about this designer!

    callmemaddie.blogspot.com

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  14. Wow, such an incredible tale, I'm really glad I read this Natalia. Talk about an inspirational story!

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  15. Dear Natalia, I started my day with your incredible post series on Monsieur Alaia...You wrote his story beautifully and I learned so much about this uniquely talented designer, thank you! Caterina

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